Corporate film, motion graphics, podcast, social content. What we make depends on what you have to achieve — not the other way around.
You have a message, but it gets lost in the noise. Your audience doesn’t find you, doesn’t follow you, or doesn’t act.
Short-form content built for social, with the distribution plan that goes with it and an analysis of what each piece brought back.
You exist where your audience already spends its time, and you know which of your formats works.
Internal videos made for your teams and not for your market, with the advice that decides what gets said and what doesn’t.
Your teams know where the company is going, and why. That is what keeps people.
Films that stand comparison with those of your best-equipped competitors — from design through to measuring what they produced.
The people you deal with take you seriously before the first meeting.
Six stages, and it starts again: the debrief of one project opens the analysis of the next.
Your brand seen through your current communications — before we even talk about a film.
We challenge the brief before answering it.
What message, what audience, what references, consistency or disruption. Then one or more concepts — kept only if the message is clear, if it speaks to the audience, and if we are proud to make it.
Overall concept · narrative and visual · costed
Click a name for the detailed page, or on examples to see the matching projects.
It depends where it plays. For a pre-roll, a billboard or a short clip aimed at social media, a few seconds are enough. To present an offer or a service, we recommend one to one and a half minutes: beyond that, attention becomes very volatile and the risk grows that the video isn’t watched to the end.
For a standard format of one to one and a half minutes, allow three to five weeks. That covers the writing, casting the actors, recording the voice-over if there is one, and the edit. If your company has already worked on its message, we pick up from there and the pre-production time shortens accordingly.
Project management, directing, art direction, camera and editing are the roles on every film. Depending on the project, add 3D animation, motion graphics, studio or location shooting, sound recording and voice-over. Everything is in house, and one person follows the project throughout.
We have produced films for industry and precision machining, healthcare — medicine, laboratories, pharmaceuticals —, banking and insurance, automotive, construction and real estate, product launches, and regional authorities. Every sector has its own codes, and some have constraints of their own: in finance, for instance, our production processes account for the protection of your sensitive information. If yours isn’t on that list, it is no obstacle: what changes from one project to the next is the subject, not the way it gets made.
